He’ll conclude his programme with Liszt’s Funérailles.įinally – a Poulenc bonanza! Ann Martin-Davis is joined by Brian White in Poulenc’s Le Bestiaire for voice and piano, and then she joins forces with Graham Fitch in a performance of Poulenc’s Piano Sonata for Four Hands. 566 and Wagner/Liszt – Liebestod from Tristan und Isolde.ĭaniel Hill starts his recital with Schumann’s Papillons Op 2, and then will be joined by baritone Brian White in Schumann’s wonderful song cycle, Dichterliebe. Schubert/Liszt – Wohin? No 5 From Müllerlieder von Franz Schubert, S.565, Schumann/Liszt – Widmung No 1 from Myrthen, S. The booklet contains contributions by the artist as well as by Marybel Dessanges, daughter of Ida Presti.It will be marvellous to be back at Stowe soon, and our tutors have now announced their recitals.įirst we’ll hear from Karl Lutchmayer, who will play Mendelssohn’s Variations sérieuses, Op.54, Alkan’s Le Festin d’ Esope Op 39 No 12, Busoni’s Variations on a Chopin Prelude, and Liszt’s Totentanz.Ĭhristine Stevenson will be next, performing Beethoven – 6 Variations on the aria “Nel cor più non mi sento” WoO 70, Schubert – Sonata in A Minor D784, Liszt - Chapelle de Guillaume Tell from Années de pèlerinage – Première année – Suisse, J S Bach – Andante from Sonata in D minor, BWV 964, Brahms – Sarabande WoO 5 No 1, Felix Mendelssohn – Fantasie Op 16 No 2 and three Liszt transcriptions – Italian guitarist Cinzia Milano compiled the program for this new recording, consisting of original works by Ida Presti as well as works by other composers which are dedicated to her: Alexandre Lagoya, Miguel Ablóniz, John Duarte, Dimitri Fampas, Gontran Dessagnes and Francis Poulenc. This recording was made on the occasion of the 50th anniversary of the death of Ida Presti, one of the greatest guitarists of the 20th century, a pioneering woman who used her extraordinary talents for the popularization of her instrument and the music written for it.
Finally, Milani has written her own tribute, Quattro Mi, in admiration for the extraordinary facility of Presti in holding down the note E (Mi in solfege) on four different strings simultaneously.īy its nature, the album is unique in the catalogue, of immediate interest to guitarists and anyone curious about a great artist of the last century. The work by Guy Morançon is a tribute to her memory, composed in the wake of her death. She was friends with many of the composers such as Gontran Dessagnes, who wrote his Tendesse for her in 1954. Isabelle in the booklet as ‘elegant nimbleness, luminous musicality and wonderful self-confidence’. Through all these works may be traced the joyous personality of Presti herself, summed up by her granddaughter Then there are various works by composers little known outside guitar circles such as Miguel Ablóniz and indeed Duarte. Just as Presti dedicated the dance to her husband Lagoya, so Milani follows it with two works which he in turn dedicated to her. She presents here six studies by Presti herself, a Danse rhythmique and an Etude du matin, and Presti’s tribute to her own hero, Segovia. In her booklet-note, Cinzia Milani remarks that she has always considered Presti a role-model, not only for her prodigious talent as a guitarist, but as a female musician in a culture and industry still often dominated by male authority. Thibaut Garcia (Guitar) 2020 - 2021, Alfortville, Studio de lOrchestre national dÎle-de-France. Best-known in posterity as one half of the celebrated Presti-Lagoya duo, she is celebrated on this album as a composer and virtuoso in her own right, half a century after her unexpected death in the middle of a US concert tour, at just 43 years of age. Poulenc Sarabande for Guitar FP 179 Sarabande. ‘One of the greatest guitarists of all time,’ remarked John Duarte in his entry on Ida Presti for Grove’s Dictionary of Music and Musicians.
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